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1999, Marcus Shelby's interest in composing for jazz orchestra and
his work in collaboration with the Bay Area multidisciplinary arts
organization Intersection for the Arts led him to form the Marcus
Shelby Jazz Orchestra. The MSJO is comprised of some of the Bay
Areas most respected and sought after young musicians including
Rob Barics, Gabe Eaton, Darren Johnston and Danny Grewen. In the
last six years, Shelby has written an extensive series of original
compositions and suites as well as orchestrated a broad survey of
arrangements from great jazz big band composers Duke Ellington,
Billy
Strayhorn, Charles Mingus and Count Basie. Marcus has been awarded
two residencies with Intersection for the Arts through Theater Communications
Group and Meet the Composer and in 2000 was awarded the Creative
Work Fund grant to compose for the MSJO. The project resulted in
the recording “The Lights”. In 2002, Shelby was commissioned
by the Equal Justice Society to composer a suite for jazz orchestra
in honor of the 40th Anniversary of the Port Chicago Mutiny. In
2005, Marcus received the Creative Work Fund grant to compose a
jazz oratoria for jazz orchestra which narrates the life of Harriet
Tubman. In addition to developing commissioned works, the orchestra
currently performs at Bay Area clubs and concert venues.
Bass/Conductor:
Marcus Shelby
Trumpets: Dave Scott, Mike Olmos, Joel Ryan, Darren Johnston
Trombones: Danny Grewen, Scott Larson, Marc Bolin
Alto: Gabe Eaton
Alto/Clarinet: Marcus Stephens
Tenor/Clarinet: Rob Barics
Tenor/Flute: Evan Francis
Baritone/Clarinet: Tom Griesser
Piano: Adam Shulman
Drums: Jeff Marrs
Eric Moffat:
Sound Engineer
Marc
Bolin has performed with such organizations as the
Guy Lombardo Orchestra, Tommy and Jimmy Dorsey Orchestras, Carla
Bley, the Virginia Beach Pops, Sheila E, Pete Escovedo, and the
Ink Spots. Marc can be heard performing with the Marcus Shelby Jazz
Orch, Oakland Opera, Realistic Orchestra, Avance, Paradigm Brass,
Dream Kitchen, Joseph's Bones, Low-End Theory and the Mitch Marcus
Quintet +13.
In addition to
playing music, Marc is an experienced teacher and youth advocate
who has worked with multicultural youth from diverse backgrounds
at the elementary and high school levels in workshops and residencies
stretching from one day to 10 months. His work as an arts-educator
has included appointments throughout the Bay Area. He is also co-founder
of Toones, After- school Music Enrichment program www.music-enrichment.org.

Evan Francis was born and
raised in Venice, Ca. He lived and played in the LA area until he
was 23 at which point he moved to San Francisco and soon came under
the radar of Maestro Shelby. Aside from Marcus's projects, locally
he also plays with the Realistic Orchestra, the Ian Carey Quintet
as well as his own band, Spaceheater. Highlights of his career include
performing/recording music with Billy Higgins, Dr. Art Davis, John
Clayton, Prince Buster, Stevie Wonder, Michael Buble (including
an appearance on the Tonight Show), Sheila E., Christina Aguilera
and Mike Keneally.
Tom Griesser
(baritone saxophone) became a jazz fan at
age six after hearing his father's Benny Goodman and Duke Ellington
records. He studied clarinet with Richard Joiner of the Denver Symphony
Orchestra, and saxophone with Art Bouton during high school in Redlands,
California. While earning a degree in political science at Stanford,
he took saxophone lessons from Hal Stein.
Since moving to
San Francisco in 1990, Griesser has freelanced as a saxophonist
and clarinetist with a variety of groups. From 1992 to 1995, he
played tenor saxophone with St. Vitus Dance, a group heavily steeped
in 1940's rhythm and blues, and from 1997 to 1999, he toured extensively
with the neo-swing group The New Morty Show. In the mid-1990's,
he co-led a jazz quintet, the Section 8 Project, that played original
compositions as well as the music of Charles Mingus. Among others,
Griesser has also performed with Atomic Cocktail, Groove Unit, J.C.
Hopkins, the Mood Swing Orchestra, Graham Connah, Brass Monkey Brass
Band, and his own trio, 3 Go T. He has been a member of the Marcus
Shelby Jazz Orchestra since 1999. His web site is www.tomgriesser.com.
Darren
Johnston, originally from
Ontario, Canada, has been living in the Bay Area since 1997. He
has been fortunate enough to play a wide variety of styles, with
a wide variety of inspiring musicians such as Fred Frith, Don Byron,
Marcus Shelby, Adam Lane's Full Throttle Orchesra, the ROVA Saxaphone
Quartet, Ben Goldberg, Grahm Connah, Wolter Wierbos, Herbie Lewis,
Scott Amendolla, and others. In the dance world Darren has collaborated
with local companies such as Robert Moses's Kin, Kunst-Stoff, Rapt,
Savage Jazz and the Oakland Ballet (both via the Marcus Shelby Orchesra),
and for two years the all-improvised 14 Bells project, featuring
local dancers as well as members of Ballet Frankfurt and the Dutch
National Ballet. As a composer and band leader Darren runs the Darren
Johnston Trio, Quintet, United Brassworkers Front, The Saint Jude
Memorial Dance Band, the Empty Chamber Ensemble, and the Scenty-Gents.
Dave Scott
graduated from the University of
Michigan with a Bachelor's Degree in Instrumental Music Education
in 1987. from 1988-1990 he was Teaching Assistant to the Professor
of Trumpet at the University of Northern Colorado (UNC), and also
to the Director of Jazz Studies. After completing his Master's Degree
in Trumpet Performance from UNC, Dave joined and toured with the
Glenn Miller Orchestra in 1992 as lead trumpet and featured soloist.
Moving to the Bay Area in 1993, Dave worked to find his niche in
the fabulous local jazz community. Dave has recorded and toured
with Rosemary Clooney, Michael Feinstein, and currently plays trumpet
and keyboards with Boz Scaggs. You can also find Dave playing lead
trumpet every Monday night at Jazz at Pearl's in North Beach, and
every Sunday morning playing in the Change Band at Glide Memorial
Church.
Adam Shulman
has been a staple of the San Francisco Jazz
scene since he moved to the city in 2002. Before the move, Adam
was a student at UC Santa Cruz where he studied with the great Smith
Dobson and the trumpeter/arranger Ray Brown. He received his degree
in classical performance under the tutelage of the Russian pianist
Maria Ezerova. Currently, Adam plays regularly with Marcus Shelby
in large and small group contexts and with Anton Schwartz mostly
in a trio setting. He can also be seen as a sideman with countless
bay area musicians and vocalists such as John Wittala, Vince Lateano,
Kitty Margolis, Andrew Speight, Michelle Amador, Emmanuel Vaughn-Lee,
Ian Cary, and Mike Zilber. Adam has played as a sideman with internationally
renowned artists Stefon Harris and Willie Jones III and is often
called when a pianist is needed for out-of-town acts.
Though, his roots are in be-bop, Adam is a very versatile player
and has a lot of post-bop and modern influence apparent in his playing.
His main influences include Barry Harris, Sonny Clark, Tommy Flanagan,
Wynton Kelly, Hank Jones and more modern players such as Herbie
Hancock and Fred Hersch. Bill Evans has always been a huge influence
on Adam’s playing, particularly in the intensity of his treatment
of melody. Adam can be seen on Monday nights at Jazz at Pearls playing
with the Contemporary West Jazz Orchestra and the second and fourth
Tuesday of every month at the House of Shields with the Ian Cary
Quintet. A full schedule is available at www.adamshulman.com.
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